Now this looks like a movie (Friday night at 11 PT):
Darktown Strutters, blaxploitation from the seventies, written by George Armitage, whose name is unfamiliar to me, but whose work is not:
Another AIP alumnus, screenwriter George Armitage, got his start writing and producing Corman’s last film with that company, Gas-s-s-s (1970), whose mishandling prompted the filmmaker and company to part ways. Corman took Armitage along to New World where they turned out Private Duty Nurses (1971) and Night Call Nurses (1972). Armitage went solo to MGM in 1972 where he wrote and directed the successful Hit Man, a black action remake of Get Carter starring Bernie Casey and Pam Grier. By this point the Armitage stamp was becoming clear: unique, highly stylized dialogue and eccentric supporting characters thrown into unexpected action sequences with wild tonal shifts. Darktown Strutters is the only ‘70s film Armitage wrote but did not direct, though it still reflects an extreme representation of his style. The rest of his career was filled with long gaps of inactivity, highlighted by 1976’s drive-in staple Vigilante Force, the outstanding oddball cult favorite Miami Blues (1990), and his most popular film to date, 1997’s Grosse Pointe Blank with John Cusack.
When prominent abortion clinic owner Cinderella (Frances Nealy) goes missing along with a string of other black community leaders, her singing daughter Syreena (Trina Parks) and her fellow female biker gang members tangle with the bumbling, racist police and equally inept Ku Klux Klan members before uncovering a nefarious plot by barbeque ribs magnate Commander Cross (Norman Bartold) to undermine the entire political organization of the black community.