Thursday, September 17, 2009

Dan Brown opinion of the day

From the Guardian:

No one, I am certain, takes a creative writing course with the aim of writing over-wrought, long-winded, critically-reviled thrillers. You take a creative writing course because you want to be a good writer; because you go back to your dorm room and read the great books on your English Lit course syllabus .... and regard the Pulitzer prize shortlist and think, "One day, that could be me." And then you sit down to write with all the best of intentions, and all that comes out is "The thirty-four-year-old initiate gazed down at the human skull cradled in his palms."

Who hasn't been there? I know I have: when writing my first volume of unabashed commercial non-fiction, every so often I found my mind drifting to the entertaining notion that some insightful critic would read it and say, "Ah, this volume of unabashed commercial non-fiction actually has surprising literary merit!" But I know that I will be waiting for ever.

I would thus be willing to wager all of the income I have ever made from writing fiction (nothing, but the sentiment is there) that sometimes, even as he wallows in his piles of money, Dan Brown wonders why he'll never be able to write exactly as well as he wishes he could; why while being one of the world's most financially successful writers, literary acclaim eludes him; why no one ever says, "actually, there's a sentence on page 344 when Langdon says something rather profound and eloquent". Sometimes, despite our best intentions, we just cannot help the way that we write, and sometimes, it is just a bit crap.

1 comment:

Christian Lindke said...

No one, I am certain, takes a creative writing course with the aim of writing over-wrought, long-winded, critically-reviled thrillers.

Insert fantasy for thrillers, and you have the exact reason I took the creative writing classes I did at University. So long as you add the additional clause, "that sell like hotcakes."

I think many genre fiction writers become genre fiction writers because they want to write like someone they enjoy. When I talk to friends about the fantasy they want to write, they often answer "I want to write like 'derivative writer x'" entirely without irony.

My problem lies in the fact that even writing over-wrought, long-winded narratives is difficult.