Excellent NYT interview with Cuse and Lindelof on finale day.
CUSE: The thing that we actually do is we take the nemesis of network television — the act structure — and we try to turn it to our advantage. We have six commercial breaks in an episode of “Lost,” and so our goal is when we’re breaking stories, how are we going to really make each one of these commercial breaks really exciting. Those questions led to a lot of really intense scenes and cool reversals and surprises, and I guess it must have been how Dickens would cliffhanger the end of his serials in the newspaper when he was writing them to try to get people to show up the next day.
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